Forthcoming

Animated films in the classroom: Studio Ghibli as an educational tool

Authors

DOI:

https://doi.org/10.58265/pulso.7757

Keywords:

Film Based Learning, Studio Ghibli, Educational Innovation, Educational Values, Primary Education

Abstract

 

This study introduces Film‑Based Learning (FBL), an emerging methodology that harnesses the pedagogical potential of animated films to enrich primary education. Building on Project‑Based Learning (PBL), FBL integrates curricular content with Studio Ghibli movies— renowned for their artistic quality and for promoting universal values such as gender equality and social responsibility. Implemented across all primary grades in a Madrid school, the convergent mixed‑methods design combined interviews with nine teachers and analysis of students’ reflections and work. A five‑dimension rubric guided film selection according to educational relevance and appropriateness. Results show that FBL effectively fostered critical thinking, creativity and transversal competencies such as media literacy and cultural awareness. Teachers positively rated the increased student engagement and the meaningful discussions that connected abstract concepts with real‑world contexts. This study provides a practical framework, aligned with Spain’s Royal Decree 157/2022, and suggests avenues for evaluating its applicability in other settings.

Downloads

Download data is not yet available.

Author Biographies

Raúl García Gómez, Universidad de Alcalá

aúl García Gómez, University of Alcalá, holds a Bachelor's degree in Primary Education Teaching with a specialization in English Language Didactics from the University of Alcalá. Beginning his trajectory in educational research, he collaborates on projects that explore innovative methodologies and values-based education, investigating the integration of cultural and audiovisual resources in the classroom to promote critical thinking, gender equality, and the development of socio-emotional skills. Alongside his initial teaching endeavors, he prioritizes pedagogical approaches that fuse traditional techniques with creative strategies adapted to the individual needs of students, seeking, from his background in educational innovation, to contribute to the design of practical and transformative proposals that connect the curriculum with current social challenges, always from an inclusive perspective. 

Luana Bruno, Universidad de Alcalá

Luana Bruno holds a Ph.D. in Education and is a postdoctoral researcher at the University of Alcalá, working in the field of Developmental and Educational Psychology. She has been awarded a Margarita Salas postdoctoral fellowship and has completed research stays in the United States, Germany, Italy, and Poland. Her research focuses on emotional development, change, migration, and gender studies. She is the co-creator, alongside Dr. Iborra and Dr. Lindquist, of EMOTONGUE, a free emotional management app registered as intellectual property. She participates in international projects on migration and affective-sexual relationships in adolescents. In teaching, she has lectured in Early Childhood and Primary Education programs, as well as in postgraduate courses such as the Master's in Secondary Education Teacher Training and the Master's in University Teaching. She holds international certifications in Collaborative Practices and Systemic Therapy. Between 2017 and 2021, she was an FPU researcher at the Department of Education Sciences at the University of Alcalá. Her career combines strong academic research with an applied focus on education and human development.

Alejandro Iborra Cuéllar, Universidad de Alcalá

Alejandro Iborra Cuéllar holds a Ph.D. in Psychology from the University of Valencia and has been an Associate Professor at the University of Alcalá since 2002. He served as Head of the Department of Education Sciences from 2013 to 2019 and currently coordinates the Doctoral Program in Education and directs the Daisaku Ikeda Education and Development Institute (IEDDAI). His training includes studies in Integrative Gestalt Therapy, Remodeled NLP, and Systemic Therapy. He has extensively published on personal identity formation and collaborative-experiential-transformational learning. He has taught in Psychopedagogy, Primary Education, and postgraduate programs such as the Master's in University Teaching and the Master's in Secondary Education Teacher Training. He has conducted research stays at universities in the United States, England, and the Netherlands and has participated in international educational projects in Equatorial Guinea, Chile, the Dominican Republic, and the Sahrawi Arab Democratic Republic.

References

Aguado Peláez, D., & Martínez García, P. (2019). Cuando el modelo de dominación se agota. Una lectura desde la sostenibilidad de la vida de las ficciones de Hayao Miyazaki. Investigaciones Feministas, 10(2), 351–366. https://doi.org/10.5209/infe.66498

Anderson, M., & Jefferson, M. (2009). Teaching the screen: film education for generation next. Allen & Unwin.

Boletín Oficial del Estado. (2022, 2 de marzo). Real Decreto 157/2022, de 1 de marzo, por el que se establecen la ordenación y las enseñanzas mínimas de la Educación Primaria. https://www.boe.es/buscar/pdf/2022/BOE-A-2022-3296-consolidado.pdf

Bordwell, D., Thompson, K., & Smith, J. (2024). Film art: an introduction (13th ed.). McGraw Hill.

Braun, V., & Clarke, V. (2006). Using thematic analysis in psychology. Qualitative Research in Psychology, 3(2), 77–101. https://doi.org/10.1191/1478088706qp063oa

Buckingham, D. (2003). Media education: literacy, learning, and contemporary culture. Polity Press.

Cavallaro, D. (2006). The anime art of Hayao Miyazaki. McFarland & Company.

Creswell, J. W. (2014). Research design: qualitative, quantitative, and mixed methods approaches (4th ed.). SAGE Publications.

Díaz Herrero, S., & Gértrudix Barrio, M. (2021). El cine como metodología didáctica. análisis sistemático de la literatura para un aprendizaje basado en el cine (ABC). Contratexto, 35, 225–253. https://doi.org/10.26439/contratexto2021.n035.4964

Elsaesser, T. (2016). Film history as media archaeology: tracking digital cinema. Amsterdam University Press.

Freire, P. (2012). Pedagogy of the oppressed. Bloomsbury.

Gardner, H. (1983). Frames of mind: the theory of multiple intelligences. Basic Books.

Instituto Nacional de Estadística. (2022). INE 2022. En Ministerio de Cultura y Deporte, Encuesta de hábitos y prácticas culturales 2021-2022 (pp. 345–360). https://www.cultura.gob.es/dam/jcr:f2932131-e501-4da6-b5f4-6387044916cf/encuesta-de-habitos-y-practicas

culturales-2021-2022.pdf

Jenkins, H. (2006). Convergence culture: where old and new media collide. New York UniversityPress. http://www.jstor.org/stable/j.ctt9qffwr

Livingstone, S. M. (2018). Children and the Internet: great expectations, challenging realities. Polity Press.

Marengo, D., Giannotta, F., & Settanni, M. (2017). Assessing personality using emoji: an exploratory study. Personality and Individual Differences, 112, 74–78. https://doi.org/10.1016/j. paid.2017.02.037

Monaco, J. (2009). How to read a film: movies, media, and beyond art, technology, language, history, theory (4th ed.). Oxford University

Press.

Monleón Oliva, V. (2020). La lucha cinematográfica entre Oriente y Occidente: Studio Ghibli versus Disney. Cuestiones Pedagógicas, 1(29), 112–122. https://doi.org/10.12795/CP.2020.i29.09

Napier, S. J. (2016). Anime from Akira to Howl’s Moving Castle: experiencing contemporary Japanese animation. St. Martin’s Press.

Núñez-Gómez, P., Cutillas-Navarro, M.-J., & Alvarez-Flores, E.-P. (2020). Cine como herramienta de aprendizaje creativo en Educación Primaria. Estudios sobre Educación, 38, 233–251. https://doi.org/10.15581/004.38.233-251

Odell, C., & Le Blanc, M. (2019). Studio Ghibli: the films of Hayao Miyazaki and Isao Takahata (3rd ed.). Kamera Books.

Piaget, J. (1954). The construction of reality in the child (M. Cook, Trans.). Basic Books. https://doi.org/10.1037/11168-000

Ryan, R. M., & Deci, E. L. (2000). Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. American Psychologist, 55(1), 68–78. https://doi.org/10.1037/0003-066X.55.1.68

Vicent Martín, L. M. (2016). El cine en la infancia: un medio educativo y transmisor de valores [Tesis de máster no publicada]. Universidad Internacional de La Rioja. https://redined.educacion.gob.es/xmlui/handle/11162/120819

Vitz, P. C. (1990). The use of stories in moral development: new psychological reasons for an old education method. AmericanPsychologist, 45(6), 709–720. https://doi.org/10.1037/0003-066x.45.6.709

Vygotsky, L. S. (1980). Mind in society: The development of higher psychological processes (M. Cole, V. John-Steiner, S. Scribner, & E. Souberman, Eds.). Harvard University Press. https://doi.org/10.2307/j.ctvjf9vz4

Published

2025-11-21

How to Cite

García Gómez, R., Bruno, L., & Iborra Cuéllar, A. (2025). Animated films in the classroom: Studio Ghibli as an educational tool. Pulso. Revista De educación, (48), 111–129. https://doi.org/10.58265/pulso.7757

Issue

Section

Research and studies

Similar Articles

1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.